Archive for the ‘News’ Category


San Cisco in Treadlie Magazine

Fellow pilots of human powered vehicles in Australia will have noticed that until a couple of years ago our newsstands catered only to the mountain bikers and two wheeled race fans. Treadlie is the bike mag for the rest of us; commuters, e-bikers, weekend cruisers, polo nuts and, it would seem, a surprisingly large proportion of the Oz music scene.

Treadlie commissioned Acorn to shoot half of Freo sensation San Cisco for issue 10. (Which is on the aforesaid newsstands as we speak.)
Eschewing the usual street scene / café for something with a bit more local colour we convened at Freo’s North Mole with it’s “port” lighthouse providing essential seaside authenticity. KP drove the camera car, Josh and Nick shredded skinny rubber, Rob pressed the shiny black button and kept stuff vaguely in focus, soft skylight by your chosen deity.

Here’s how it looked in the mag, there’s how it looked before the gutter hit the lighthouse, down below are some out-takes. Stay safe.

Treadlie Magazine San Cisco story

San Cisco-an's Josh Biondillo and Nick Gardner riding Noth Mole

San Cisco-ans Josh Biondillo and Nick Gardner riding Noth Mole


San Cisco outtake


Pet Photo Booth

 

Pet Photo Booth Perth Fringe Festival 2013

 

The Perth Fringe Festival has been all the buzz in the office this morning. Rob’s done the Stoney Joe gig, Shirley recommends the Bogan Bingo, and for the last two weekends I’ve slipped off the commercial hat and have been moonlighting as an artist photographer at Pet Photo Booth. Our studio for the duration, courtesy of ArtRage, was the Spiegeltent, deep in the Urban Orchard. The so-called Third Musketeer of Pet Photo Booth, I’ve been working with Arthos (Justin Spiers) and Porthos (Yvonne Doherty) since my early days as an assistant and I feel privileged to have been invited to take part in this wonderful project as a photographer.

 

Five days of cats, dogs, chickens, sheep, children, and other animals. Everyone got along in perfect animal harmony, including most of the humans. Bookings were only a couple of minutes apart and we booked out well in advance! I love about working this quickly, being absorbed in the moment and using only the relationship with the subjects and materials at hand to produce creative results. Painted backdrops, delightful people– it’s a dangerous mix of cheese and portraiture, but very hard for it to go wrong.

 

 

Pet Photo Booth Perth Fringe Festival 2013

 

Pet Photo Booth Perth Fringe Festival 2013

 

 

 


2012 AIA WA Chapter Award Winners

Last night was awards night for the WA Chapter of the AIA. It’s been a few years since I attended but as a lay judge (in the Heritage category) I felt duty bound to show my face. And fill it with entrée, main and dessert of course.

How firmly David Karotkin’s tongue was pushed into his cheek when he said “there will be no losers tonight” remains unknown, however as the disembodied “Price is Right” voice read out the winners for the Public Architecture category it seemed as though everyone would definitely be a winner – 11 gongs in all!

Acorn Photo clients Site Architecture and TAG Architects were among them for Serisier Building and Coady Centre, Mercedes College and Roseworth Primary College and Education Support Centre respectively (below). (respectively).
Serisier Building and Coady Centre, Mercedes College

TAG Architects Roseworth Primary School Stebbing Way Girrawheen

George Temple Poole winner of 2010, Blane Brackenridge’s spaceship chic House in Cottesloe took out the Marshall Clifton Award for Residential Architecture with one of the two commendations going to the elegant pavilion based Wright Feldhusen Eagle Bay house (below and below).

52 Broome St

Eagle Bay Residence by Wright Feldhusen Architects

The Harold Krantz Award for Multiple Residential was landed by Officer Woods Architects for their wonderful medium density development in Stevens Street, Fremantle. Jenny and Trent were kept busy with this, their only entry this year, as it also took out the Walter Greenham Sustainable Architecture Award.

Stevens St Multiple residential, Architect: Officer Woods

58 Stevens St apartment B

CODA’s Women’s Health and Family Services building in Newcastle St and Parry and Rosenthal’s Southern Seawater Desalination Plant both garnered Architecture Awards in the Commercial category. Claremont Quarter by Christou Design Group and Hassell received a commendation for Urban Design.

Women's Health and Family Services

Southern Seawater Desalination Plant  Architect Parry and Rosenthal

Claremont Quarter, Christou Design Group

The judging experience gave me a great insight into how the images we shoot are used and seen by the jury panels. As I mentioned earlier, I was invited by the Institute to be a lay juror this year. First time. The panels are all comprised of three architects and one layperson. This year the Institute introduced a presentation day which is open to the public. Architects speak on their projects and supplement professional shot images with plans and photographs from the construction phase. Over the following weeks site visits are made by the jurors.

Kim Burges originally suggested I join the residential jury, but having photographed almost half the entered projects I felt the conflict of interest issues were too great. Instead I joined Nerida Mourdant, Eamon Broderick and Alex Quinn on the Heritage panel.

9 projects with wildly divergent briefs and budgets made it a reasonably tough job. The ultimate winner of the Margaret Pit Morison Award for Heritage went to Donaldson and Warn for their careful restoration and upgrade of the Marsala House, a spectacular 70′s listed house designed by Iwan Iwanoff. An Architecture Award and Commendation went to Griffiths Architects and Bernard Seeber Pty Ltd for Cathedral House and Fremantle Railway Station. None of these were photographed by me so no pics here retro fiends!


We’re moving

Our little patch of Townshend Road, Subiaco, has seen a lot of changes since the mid nineties when we set up shop there. In fact a quick audit of the area between Hay St and Subi Oval has us as the oldest business. True fact.

Anyways, we’re gorn. We’re leaving East Subi for the gentle vibe of West Subi. We’ve heard tell that, with favourable winds, you can hear the breakers at North Cott on a Sunday. Importantly we’ll still be within coo-ee of Jean Claude Patisserie and we’ll be closer to a train station (Daglish) as well as a pile of our mates.

From June 1st 2012 you’ll find us at 298 Hamersley Road. Subiaco.
Melbourne skyline at night with blurred squiggles


Added an Instagram Feed

S’all about the feeding at Acorn. Mostly it’s just us gorging ourselves on the finest that Jean Claude has to offer. Lately We’ve addicted ourselves rather thoroughly to the ice-creams of the mind that everybody’s favourite startup, Instagram, has on the menu.

Everything about Instagram images engages the most rockin’ of our sensibilities – Nostalgia. The square format, so loved by those of us who’ve indulged in 126 Instamatic ownership, the filters that tap directly into our parent’s family photo albums. Don’t get us started on Hasselblads, Cokin filters and contact sheets. The makeshift darkrooms of our teenage years are flashing before our eyes! (and noses).

Chef James Collins of OM4 alerted us this morning to their implementation of an instagram feed which we’ve immediately given pride o’ place on our blog page – eyes left!

Exuberace


Introducing Mr. Smith

Perhaps you’ve already met. Darren’s been with us on a casual basis for just over a year. Having now passed the crucial and gruelling Acorn tests; file prep quality, tea prep quality and ECM (it’s a label, look it up) jazz comprehension he’s joined us full time.
To the right is an image of the Smith in question. Even rendered in moody monochome you’ll agree that his colourful character is to the fore. Below a humble, and somewhat over-ripe, pear, arrested in it’s decay by Darren. Expect to see more of his photography appearing in these pages over time
Pear


FarewellAdrian20120120 9311

Farewell Adrian

It’s been two weeks since we said goodbye to Adrian and now that we’ve nearly recovered it’s about time that we shared a few details for those of you that couldn’t make it and to say thanks to those that dropped by. We threw Adrian an ol’ fashioned studio party with a great mix of people and even threw up a few lights on a stand, with a camera there to capture it all.

A dozen or so images to wish one last farewell to Adrian – here’s to you, limey.


Adrian Lambert buggers off

Bad news folks; Adrian is leaving us. It’s nothing personal (or so he assures me!) rather an alignment of family factors that is too hard to ignore. And timing is of the essence, he and Helen are heading back to Blighty ahead of the birth of their second child.

Adrian has been with us for yonks – like all great histories the exact date of our meeting is lost to the mists of time, let’s just say it was about a decade and a half ago. He started at Acorn as an broom wielding, tea making, scum sucking assistant. He will leave as a photographer pure and simple. A photographer whose technical skills are matched by his sensitive creative aesthetic.

Most people we’ve told about the “change”, as we’re calling it, have been lost for words. A couple of them managed to sputter out something that decoded to “what in blazes are you going to do?!” Our old mate John H. Browne texted in this comment; “Why?”

Tragically at this writing these questions remain essentially unanswered. On Jan 20th we’re having a send off, if we don’t know any more by then we’ll just make something up. Drop us a line if you’d like to be there.

Oh yeah, comments are on, please leave any wishes and reminiscences here.

Adrian Lambert

Adrian Lambert checks out his prospects in the northern hemishere


Afternoon shoot at Zekka

We reckon it’s one of the best retail interiors in Perth, a beautifully executed balancing act; some corners feel as though the tradies have just downed tools for smoko (there’s no sense that they’re coming back though). The shoe and bag rooms have a strangely timeless private museum vibe, you know, the sort of private museum curated by a character from Dickens. Sculptures and wall works by Andrew Nicholls take the edge off the glass and steel, hot chocolate (yes, coffee too) takes the edge off the shopper.

We photographed Romina and Conors’ Mount Lawley homewares shopette Test Tube when it opened a few years ago. They’ve since occupied an ex-bar/gallery space in the northern part of King Street in the city from which they’re serving up a delicious mix of edge-mode noir fashion and café fare.

Anyone familiar with the jewel-like Test Tube is in for a surprise and a treat.
Zekka is a sprawling arcade of tonal contrasts. Natural light spills into the café, filters into the store and is supplemented with industrial fittings and sparkling 70′s feel designer shades.

Zekka 76 King Street Perth
Inside Zekka
Zekka 76 King Street Perth Zekka


What is environmental portraiture?

We’ll forgive you for imagining it might relate to portraits made exclusively in our dwindling, shrinking, evaporating natural environment. Who knows when the term Environmental Portraiture was coined? Not us! All that seems certain is that it is likely to have occurred prior to the rise of the environment in our collective green consciousness. The joy of semantics – the word environmental is pretty much owned by nature, nonetheless “environmental portrait” remains the way photographers describe images made of people outside the studio. Typically portraits made of people in their work environment, whether that be an office, whaling station or coal fired power plant.

In the corporate and editorial portraiture ecosystem that Acorn Photo inhabits environmental portraiture usually means photographing sitters in their workspaces. Mostly this means in offices and boardrooms. We always have our eyes out for other, more interpretive, location possibilities. And our minds out for more metaphoric treatments.

Celebrity portraits, unless they are part of a fashion story are almost always environmental portraits. Successful executive portraiture is generally restrained in tone. The rules of the court have been established over many centuries and roles of jester, courtier and nobleperson understood in our collective subconscious. Rules, of course, are meant to be broken. Brave clients with clear messages to communicate are encouraged. Cautious clients with reputations to uphold are respected.

Ian Chalmers, CEO of Alkane Resources

Ian Chalmers, Alkane Resources, developer of a rare earths mine and processing plant, photographed for Forbes Asia. photo Robert Frith

Architects Matt Davis and Sam Klopper photographed for InSite magazine photo: Adrian Lambert

Glenn Russel, architect at JCY photo: Robert Frith

Ross Bolleter

Ross Bolleter at Ecco CafŽé for the cover of his CafŽé Intime release. Photo Robert Frith

David Flannagan, CEO Atlas Mining photo: Robert Frith

Further Reading – Arnold Newman
Arnold Newman famously worked as a 49 cent studio photographer before his long and distinguished career as an environmental portraitist. His images stand in stark contrast to those of his contemporaries; photographers like Richard Avedon, Irving Penn and latterly David Bailey, all of whom preferred to drill to the core of their subjects psyches in the hard isolation of their studios.Portraits of visual and performing artists make up the bulk of his most memorable work. Newman revealed his sitters’ personalities and illustrated something of their work through the use of carefully selected contexts. A quick squizz at a handful of his most famous images makes it plain that his was not a formulaic approach.

Arnold Newman

Three images by the grandaddy of environmental portraiture, Arnold Newman. The strikingly graphic portrait of Igor Stravinsky dwarfed by the fluid form of a grand piano, the blunt photo collage of Andy Warhol, the savage lighting of Alfred Krupp; all quite different photographic treatments in the service of visual metaphor. Photos: Arnold Newman