Archive for the ‘Recent Work’ Category


Perth Arena

If part of the function of Perth Arena’s freak yachting accident exterior is to excite public debate it must be judged a success. Like an in-your-face youth with unresolved childhood issues and a new tattoo, its lumbering slab sides are confrontational and immediately polarising. Perhaps as the landscape around it changes over the next decade it will stop trying to pick a fight with its mates.

By comparison the interior is its heart of gold; the voluminous access spaces that wrap around the arena proper soar with religious delight, broad stairways turn at angles that pull you forward and the sea of timber panelling that lines the walls and ceilings in contrasting regal blues and rich warm woodiness cosset and inspire.

We spent the better part of a day being inspired with Stylewoods director Alan Carter. Alan spent the better part of last year down there overseeing the manufacture and installation of the interior panelling.

Perth Arena interior panelling by Stylewoods

Perth Arena interior by Stylewoods

Perth Arena interior by Stylewoods

Meanwhile, outdoors…
“Totem”, is the name of the tall, yellow, multi-faceted sculpture on the east side of the arena. For some reason it’s been nick-named “The Pineapple”, can’t think why… Anyway, we photographed that for artist Geoffrey Drake-Brockman. I’ve cribbed this from his website ’cause I was struggling to describe it – “Totem is an interactive spatial robot. It has 108 reconfigurable petals and is able to react to pedestrian movement. Totem incorporates a laser projection artwork titled “Translight” that projects nightly onto the Eastern wall.”

Totem by Geoffrey Drake Brockman Totem is an interactive spatial robot. It has 108 reconfigurable petals and is able to react to pedestrian movement. Totem incorporates a laser projection artwork titled "Translight" that projects nightly onto the Eastern

Totem by Geoffrey Drake Brockman Totem is an interactive spatial robot. It has 108 reconfigurable petals and is able to react to pedestrian movement. Totem incorporates a laser projection artwork titled "Translight" that projects nightly onto the Eastern

Totem

Geoffrey scurries inside – yes there’s an inside!


San Cisco in Treadlie Magazine

Fellow pilots of human powered vehicles in Australia will have noticed that until a couple of years ago our newsstands catered only to the mountain bikers and two wheeled race fans. Treadlie is the bike mag for the rest of us; commuters, e-bikers, weekend cruisers, polo nuts and, it would seem, a surprisingly large proportion of the Oz music scene.

Treadlie commissioned Acorn to shoot half of Freo sensation San Cisco for issue 10. (Which is on the aforesaid newsstands as we speak.)
Eschewing the usual street scene / café for something with a bit more local colour we convened at Freo’s North Mole with it’s “port” lighthouse providing essential seaside authenticity. KP drove the camera car, Josh and Nick shredded skinny rubber, Rob pressed the shiny black button and kept stuff vaguely in focus, soft skylight by your chosen deity.

Here’s how it looked in the mag, there’s how it looked before the gutter hit the lighthouse, down below are some out-takes. Stay safe.

Treadlie Magazine San Cisco story

San Cisco-an's Josh Biondillo and Nick Gardner riding Noth Mole

San Cisco-ans Josh Biondillo and Nick Gardner riding Noth Mole


San Cisco outtake


Pet Photo Booth

 

Pet Photo Booth Perth Fringe Festival 2013

 

The Perth Fringe Festival has been all the buzz in the office this morning. Rob’s done the Stoney Joe gig, Shirley recommends the Bogan Bingo, and for the last two weekends I’ve slipped off the commercial hat and have been moonlighting as an artist photographer at Pet Photo Booth. Our studio for the duration, courtesy of ArtRage, was the Spiegeltent, deep in the Urban Orchard. The so-called Third Musketeer of Pet Photo Booth, I’ve been working with Arthos (Justin Spiers) and Porthos (Yvonne Doherty) since my early days as an assistant and I feel privileged to have been invited to take part in this wonderful project as a photographer.

 

Five days of cats, dogs, chickens, sheep, children, and other animals. Everyone got along in perfect animal harmony, including most of the humans. Bookings were only a couple of minutes apart and we booked out well in advance! I love about working this quickly, being absorbed in the moment and using only the relationship with the subjects and materials at hand to produce creative results. Painted backdrops, delightful people– it’s a dangerous mix of cheese and portraiture, but very hard for it to go wrong.

 

 

Pet Photo Booth Perth Fringe Festival 2013

 

Pet Photo Booth Perth Fringe Festival 2013

 

 

 


Guy Grey Smith

There are just 100 of them, they’re slipcased and they’ve been hand numbered and signed by the illustrious Mr Gaynor himself. And we’re giving one away. Read on winners!

Every West Aussie with a creative bone in their body knows that one of the most potent catalysts for great art is our comparative isolation.   Guy Grey Smith repaired to the then mill town of Pemberton in the 70′s and proceeded to produce some of the most dramatic, evocative and individual Australian paintings made last century.

For GGS enthusiasts it’s been an awfully long wait for a survey of his life’s work. Thirty one years since his death (almost to the day) UWA Press have published “Life Force”, a critical biography authored by curator Andrew Gaynor. Acorn Photo supported the project and photographed the majority of works reproduced.

You can buy it here. However the first person to correctly name the short lived country band that counted Frith and Gaynor among it’s number gets it in the mail. Just mention the band name in your comment. First in best dressed kidz.

Life Force, critical biography of Guy Grey Smith by Andrew Gaynor. Published by UWA PressLife Force, critical biography of Guy Grey Smith by Andrew Gaynor. Published by UWA Press


Helping the Devil

“Devil of a Cookbook” is the brainchild of Tasmanian chef Fiona Hoskin. TBH I don’t know her from Adam. Actually, I would probably know her from that Adam but, ahhhk, don’t distract me… I’m hungry…

Tetsuya's Marinated Lobster Tail with Bread Salad and Avocado SoupDevil of a Cookbook

Many of the recipes are contributions from Thermomix users and demonstrators, taste tested and refined in kitchens across this wide brown land. Tetsuya Wakuda contributed a number of recipes including the sinfully succinct Marinated Lobster Tail with Bread Salad and Avocado Soup (above) (yum).

Thermomix is the insanely great German made hybrid cooker cum blender that’s boggling the minds of foodies all over the damn place. “Devil of a Cookbook” is the latest in a line of their wicked publications. It represents a new direction for them. One could say they turned over a new leaf. Under Becky “high-priestess-of-type” Chilcott’s benediction this title takes Thermomix into “proper” cookbook territory. That means cookbooks that look at home in western suburbs bookshops and kitchens (or eastern ‘burbs, depending which side of the country you hail from).

more tucker than you can poke a stick at

Fundraiser <- there's a big word. Apart from being host to recipes from a diverse bunch of foodies, Thermomix distinguishes itself by using this title to raise some folding for the Devil Island Project. This is NOT a satanic cult people, or a pirate playground. It’s about sorting out the shocking contagious cancer that’s ripping the Tassie Devil population to shreds. Get on board. All proceeds go to the project. Forty bucks, click here. now

Gold plated Turkish Delight anyone?

Real Fuit Jellies


Anna Gare’s first cookbook – “Homemade”

Shooting “Homemade” took ten days at Anna’s joint in Freo. We road tested 97 recipes and can testify to their bold and glorious goodness. Along the way we had to contend with high winds blowing our set over as well as an occasional sense of, well, impending weight gain. Food stylist Ursula Nairn and assistant Michael Ziebarth were apparently subjected to more country music than is allowed under UN conventions on torture. Ursula in return introduced us to swear words we didn’t know existed and created a few on the spot when her existing collection of international curses was found wanting.

Anna’s giant puppy, Leroy, takes the cake (well, pasta) for audacity though; while we were all indoors congratulating ourselves on the Summer Cherry Tomato Pasta test shot an odd little chiming sound floated by on a breeze, turned out to be a resonant pasta bowl clinking as Leroy licked up the last of the sauce!

Leroy takes the cake

Dealing with Fremantle Press was a delight from start to finish. We’re particularly excited by the print quality in the book. We pushed the images in this one pretty hard in terms of contrast and we’re beside ourselves with the crunchy yet smooth result. (Oh, and before you ask… China). It was a rare opportunity to be making final selections whilst on the shoot and in many cases we were able to make close to final adjustments to the image files on set. And of course we were treated to the publisher swinging by with rough layouts as work progressed – all in all a very nice closed loop giving rise to (justified) smugness.

Egg and Bacon Pie and Simple Chicken Casserole with Fennel

Anna’s genius is in evidence in the all the obvious places in her book; the dishes are as delicious as they look. Even though she loves a bold flavour there always seems to room on the palate for the delicate, crisp and piquant. As cooks though we love the recipe presentation. Anna edited the methods down to their concise, tasty bones. Each method sentence starts with a verb, doesn’t sound so revolutionary does it? Sure makes a difference when your kitchen is a’cookin’.

We’re fickle beans in this household, we struggle to settle on a favourite recipe. For sheer spectacularness you gotta give the Leek Tartin with Goat’s Curd & Smashed Olives a whirl.

If you already have “Homemade” share your favourites in the comments. If you don’t have it already – you simply are not living – buy it online at Fremantle Press’s site.

Leek Tarte Tartin with Goat's Curd & Smashed Olives- Moroccan Green Curry - Anna Gare "Homemade"


Dining setting by Adam Cruickshank.

Adam Cruickshank Woodcraft Design

You know we love to post about exotic locations and crazed crocodile fighting maniacs but some of the best stories are right under our noses. Check this – just amazing hand crafted furniture. Adam Cruickshank’s designs are always a real pleasure for us to have in the studio. On his last trip to the ‘smoke he was introduced our new home on Hamersley Road taking pics for his then upcoming exhibition. There are always challenges photographing furniture. The first is actually for Adam, as everything is semi-deconstructed, wrapped up and loaded into a van. Then it’s trucked from Dwellingup up to see us. In the rain. From there one of the main challenges (after getting some of the larger pieces through the door) is resisting photographing every possible angle. Working with shape, form and light is one of the most rewarding aspects of studio based photography. Just watching Adam’s pieces respond as we played with light on the surfaces was fascinating.

I went down to see the sights and society at Adam’s exhibition opening at Square Peg in Fremantle. His catalogue, a nifty little green fold-out piece designed by Judy from Paco, is chock full of supersized postcards. Seeing how our pictures are used out in the real world is (almost) always gratifying.

Go check it out yourself. Adam Cruickshank’s exhibition is on at Squarepeg, 17b Blinco Street, Fremantle until September 9 2012.

Dining setting by Adam Cruickshank.

Adam Cruickshank's groovy mailer

Adam’s groovy mailer

Adam Cruickshank's Exhibition opening at Square Peg August 2012

The opening at Squarepeg


John Hyde MLA

We recently spent an delightful afternoon photographing John Hyde in and around his electorate. John’s been representing for the people of Perth in WA’s house on the hill for over a decade now. Inner urban isn’t what it used to be  - John’s seat takes in the CBD as well as the rapidly changing residential areas from East Perth to Mount Hawthorn. Kings Park too. John Hyde MLA, Member for Perth
Photography of political candidates has long been a very conservative affair involving the application of far too much hairspray and far too little reality. Art director Ray van Kempen was after a fresh look that emphasised John’s intimate knowledge of the electorate as well as his active engagement with its denizens. Armed with a small retinue of extras and stylist Liz Carberry we confounded the baristas and bus drivers of Beaufort Street before wrapping at James Street with a twilight city backdrop. As John noted Perth turned on its best for us.
John Hyde MLA, Member for PerthJohn Hyde MLA, Member for Perth


Café Corporate cawfee packaging

Geoff (not his real name*) from Dessein Graphics had been using stock photography for their award winning coffee packaging work. He wanted to take the client to the next level though, yep, commissioned retro photography.

On the face of it this was a great little shoot; Café Corporate had four fresh new blends of the hard stuff and they needed to shift units. Their clients are big business’s food and beverage purchasing officers, demanding buyers. Geoff cooked up a look, well he called it a “strategy”, whereby each of the blends would march forth under the banner of a workplace character of yesteryear. We’d shoot the characters in an appropriate location with old things scattered about, retro props and suchlike. Sounds sweet huh?

“So, Geoff,” says I “what’s the plan on the talent front?” Geoff says the client, his sister and his daughter are going to be the talent. What is the sound of a sinking heart? Can you just play that in your head right now? Bloody hell Geoff.

I wouldn’t have bothered telling this story if it didn’t have a happy ending. Tony, Jess and Annie, yes the actual real life boss of Café Corporate, his daughter and his sister are some of the best talent I’ve worked with, professional or non. One drizzly day last spring we all got ourselves off to our retro location (Associated Shopfitters’ recently vacated 70′s offices in Malaga) and in a disturbingly short period of time walked away with great performances in the roles of The Boss, The Secretary and The Tea Lady. I never really understood where The Captain fit into the scheme. I guess Tony’s lifelong passion for tall ships and the docks got the better of him.

* actually Geoff is his real name, I couldn’t resist though…

Café Corporate packaging by Dessein Graphics
Café Corporate coffee packaging by Dessein Graphics
Café Corporate packaging by Dessein Graphics
Café Corporate packaging by Dessein Graphics
Café Corporate packaging by Dessein Graphics


2012 Black Swan Programme

Dog knows why but we’ve been a bit slow off the mark mentioning this work. It’s the second year we’ve been involved with Black Swan State Theatre Company. Once again we worked with the crack team; Geoff Bickford and Ester Lee from Dessein and Nancy Hackett from Black Swan.
As per, the work presented us with plenty of creative and technical challenges. Challenges we rrrrrrelish!
Tom O'€™Sullivan and Yutaka Izumihara in the play White Divers
Dessein and the Swan get us involved us early in peace so we had plenty of input into locations and timing. Pre-visualisation of the images and superb (yes!) forward planning meant that all of the shoots were completed in under two hours.David Williamson’s new play, “Managing Carmen”, a comedy about a cross dressing footballer, is premiering in Perth late 2012. Actor Michael Drysdale Managing Carmen, a comedy by David Williamson about a cross dressing footblaller  2012
Tim Winton’s second play, “Signs of Life” starring Helen Morse is being premiered by Black Swan. We love working with daylight and other existing and unpredictable sources. Four of the six images were shot under daylight, ranging from “White Divers’” hard sunlight to dusk supplemented by a single battery powered flash and stairway lighting for “Boy Meets Girl”Signs of life was shot in the few minutes following sunset. Skylight is again supplemented by a single portable flash. Helen Morse George Shevtsov and Pauline Whyman Signs of Life
Life can be hard for photogs on the 32nd parrallel – the magic hour lasts a scant 10-20 minutes! Stoppard’s Arcadia was the toughest shoot. With a location that was an hour and a bit out of town and, prior to shoot day, had only been scouted by the producer we didn’t have much contingency. So some major league nail-biting was in order when the car carrying actor Andrew McFarlane and Black Swan’s Kate Cherry broke down en-route. This image was nailed only a few minutes before the sun crashed to the deck. Rebecca Davis Andrew McFarlane Whitney Richards in ARCADIA
“Boy Gets Girl”. Boy of the title is a stalker. This was shot round dusk at the State Theatre Centre (the stairs are the way to Black Swan’s front door). Boy meets Girl
Aidan Fennessey’s National Interest,  re-examines the events of October 1975 that saw five Australian journalists killed in Balibo. The play is set in a kitchen as June, a mother of one of the Balibo 5, and her daughter Jane, re-open some old wounds.We invaded the kitchen at Dessein for this shot. The single light source for this image is the graphics projector set a little off camera to create some shadow and texture. Julia Blake as June in Black Swan State Theatre Company's 2012 production of National Interest


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